Anyone who makes even a modest habit of speaking out against war in public soon runs up against the inevitable, supposedly unanswerable question: What about World War II? (We have a whole category devoted to it.) It’s meant to be the ultimate stumper. This was the “good war,” wasn’t it, the war waged by the “greatest generation” against the evil incarnate of Hitler and imperial Japan? There was simply no other choice before the forces of goodness and truth but to leap into the single most deadly undertaking in all of human history. Right?
That won’t work if you’re talking to Nicholson Baker. In an extraordinary cover story in this month’s issue of Harper’s Magazine, “Why I’m a Pacifist: The Dangerous Myth of the Good War,” Baker explains how learning about World War II was actually a big part of what made him a pacifist in the first place. “In fact,” he writes,
the more I learn about the war, the more I understand that the pacifists were the only ones, during a time of catastrophic violence, who repeatedly put forward proposals that had any chance of saving a threatened people. They weren’t naïve, they weren’t unrealistic—they were psychologically acute realists.
His thinking began drifting this way during the Gulf War, and continued to evolve through the sequence of American military operations since. In the Balkans, in Afghanistan, in Iraq, and in talk about bombing Iran, he noticed that World War II kept coming up. It kept being used to justify one war after another. Every new enemy only had to be painted as another Hitler to ensure public support.
By 2008, Baker published Human Smoke, a book that collects documents, newspaper reports, and notable utterances during the lead-up to World War II, revealing how determined the Allied leaders were to fight at any cost. But, because of its form, we don’t get much of his own voice in that book. “Why I’m a Pacifist” is a chance to hear more directly from Baker himself about how he came to the conclusions that he did about the war.
I was so thrilled with the essay that the moment I put it down I wanted more, so I wrote to Baker with some questions about what he’d said. Our exchange was as follows:
WNV: Why did you decide to write Human Smoke the way you did, and why now write about World War II again as you do in Harper’s?
NB: Human Smoke deals atomistically with the beginnings of the war because I thought that was a good way of conveying the confusion and sadness of what was going on. You have to pause and think moment by moment in order to feel the gradual disintegration of civil restraint. The book stopped at the end of 1941. The Harper’s piece mostly concentrates on events from 1942 on, and it’s an effort to take up one big question: Were the pacifists right in calling for an immediate negotiated peace?
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