El Fondren, © Bob Fitch, all rights reserved.

In Bob Fitch’s photo of El Fondren, the 106-year-old man who registered to vote for the first time in 1966 in Mississippi has his hand raised triumphantly in the air as the crowd hoists him up. Alongside it one also sees the hands of reporters — holding out microphones, snapping photographs, trying to capture the scene for the evening news, grasping for access to El Fondren — and they are all white.

Like many others who documented the civil rights era, Bob Fitch, now 72, was a white man covering a black people’s movement. But unlike many mainstream-media reporters, in his mind this was not just another job. Fitch was a principal photojournalist for the African-American press. He had been hired by Martin Luther King, Jr.’s Southern Christian Leadership Conference to provide coverage for outlets across the country who could not risk sending one of their own reporters because the risks for black journalists were too high.

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In the midst of the excitement that continues to surround the Occupy movement, it can be unfortunately easy to forget that occupations tend to be anything but empowering. Creativity and imagination often fall by the wayside when the struggle of daily life becomes the main focus of thought. Yet it is those very positive traits that lead to liberation.

Last summer, while traveling in Paris, I met a Palestinian playwright named Abdelfattah Abusrour, who has made it his life’s mission to inspire the imaginations of the young people living in refugee camps in the West Bank. He runs a cultural center in Bethlehem’s Aida Camp called Al Rowwad (which is “pioneer” in Arabic), where children are taught, what he calls, “beautiful acts of resistance.”

Shortly after seeing him perform with his adult troupe–several members of which have been with Al Rowwad since they themselves were children–I sat down with Abusrour to get more of his story, which can now be read in the current issue of The Progressive. Here is just a quick excerpt:

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At the General Assembly meeting last night, Occupy Wall Street’s dreamer contingent got a very special valentine: the GA endorsed the Direct Action Working Group’s proposal to call for a general strike on May Day—May 1, 2012. Occupiers celebrated with cheers and Valentine’s Day balloons.

The text approved by the GA is as follows:

May Day 2012 Occupy Wall Street stands in solidarity with the calls for a day without the 99%, a general strike and more!! On May Day, wherever you are, we are calling for: *No Work *No School *No Housework *No Shopping *No Banking TAKE THE STREETS!!!!!

The prospect of an Occupy general strike has been circulating for a while already. One of the several Facebook event pages devoted to it has more than 10,000 attendees. Occupy Los Angeles began calling for a May 1 general strike as early as last November, and Occupy Oakland joined at the end of January. Occupy Wall Street’s Direct Action group tried to take a strategic approach to the idea; though many of its members had little hesitation about calling for it, they took steps to ensure there was consultation, and therefore buy-in, among some of those whose participation would be vital. Since the beginning of the year, they’ve been holding twice-weekly meetings—with as many as 150 people crowded into a church or a union-office basement—which included labor organizers, immigrants’ rights groups, artists and anarchists.

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After a storm comes the calm. Following eight months of struggling to roll back the privatization of education in Chile, the various organizations representing the Andean country’s student movement are now in a temporary and strategic withdrawal as they plan to impact the political system more directly. This year, they will not solely oppose the lack of public funding for education, but a whole political structure that they view as serving only a few.

The students have made clear that the spirit of civil resistance in Chilean society survives after the popular movement that defeated Augusto Pinochet. The persistence of the movement has already led to a re-distribution of power within President Sebastián Piñera’s cabinet, which students accused of acting like a continuation of the Pinochet regime, intensifying privatization and increasing the socioeconomic gap within the population. The government increased its 2012 budget for education by 10 percent, to $1.2 billion; this includes an increased number of scholarships for high-achieving, low-income students by 24 percent. The government also made the system of credit more flexible for students and cut interest rates on student loans.

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Several weeks ago, a 28-year-old Army vet, who had worked with drones during two tours in Iraq and is now a radical art student in New York, came up with a creative act of protest to raise awareness around the growing use of drones domestically by police forces across the country.

According to an article in last week’s New Yorker, over the course of several nights, the veteran (who remains anonymous) and a few friends posted eleven unusual street signs around New York City, which is apparently investigating using drones as a law enforcement tool.

Designed to look exactly like official street signs, the fake NYPD signs had several different messages: “ATTENTION: Drone Activity in Progress,” or “ATTENTION: Local Statutes Enforced by Drones,” or “ATTENTION: Authorized Drone Strike Zone, 8am-8pm, Including Sunday.”

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We’re thrilled to announce the launch of a project we’ve been proud to be involved in: Beautiful Trouble, the ultimate guide to justice-oriented troublemaking. It includes contributions by all three Waging Nonviolence editors.

In Beautiful Trouble, seasoned pranktivist Andrew Boyd assembles the accumulated wisdom of decades of creative protest in order to place it in the hands of the next generation of change-makers. Part manifesto and part reference guide, Beautiful Trouble is the anti-textbook—a dynamic, 21st century how-to that brings together ten grassroots groups and dozens of seasoned artists and activists from around the world. Among the groups included are Agit-Pop/The Other 98%, The Yes Men/Yes Labs, Code Pink, SmartMeme, The Ruckus Society, Beyond the Choir, The Center for Artistic Activism, Waging Nonviolence, Alliance of Community Trainers and Nonviolence International.

The book will be officially released on April 1 by OR Books, an innovative new print-on-demand publisher. But if you pre-order between now and February 15, you get a 20% discount.

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Illustration by Piotr Lesniak, Illustrations Portfolio.

Václav Havel, who died on December 18, epitomized the power of the pen. A playwright and actor, he was born in Prague in 1936, two years before Nazi Germany militarily occupied Czechoslovakia. As I have written elsewhere, the Stalinist effort to destroy internal opposition to the Czechoslovak communist regime and its worsening economic policies led to hundreds of executions and tens of thousands of imprisonments. Millions were left suffering. Rigid communist economic views, bureaucratization of all dimensions of life, and recurring shortages meant that people could survive under communist rule only through venality and by shortcutting regulations. Those who went along with the habitual corruption—including the great proportion of managers and professionals—found themselves subjected to blackmail and entrapped by lies.

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As chants of “Al-shaab urid iskat al-nizam” (“the people want to bring down the regime”) rise, so, too, does the hailstorm of bullets. As people come out into the streets to express themselves, so, too, do the tanks. Syria’s revolution is entering its ninth month, the Assad regime uses familiar tactics in its attempt to crush dissent. There is nothing creative about deploying tanks and snipers to villages. There is nothing creative about using rape as a tool of war, especially against an unarmed population. In contrast, however, the Free Syria movement has responded to these assaults with amazing creativity. Syrians continue to take to the streets in peaceful protest against the Assad regime—every day, in nearly every city, in nearly every village.

Being creative takes work. Nonviolent creativity, especially when faced with live ammunition, takes steely willpower and a fierce commitment. Syrians have demonstrated both as they slowly but surely rid themselves of a regime that thinks nothing of using rape as a tool of repression, dismemberment as a message, or kidnapping as a reminder. That the protests have remained largely peaceful is awe-inspiring; that Syrians are so creative under these circumstances is astonishing.

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On Saturday night at the Metropolitan Opera in New York, just before the third act of Faust began, a man began yelling from the audience, “Occupy Wall Street! Occupy Wall Street!” It had neither the rhythm of a chant nor the participatory quality of the usual “mic check” that has been used to disrupt so much lately, interrupting public figures including Michele Bachmann, Scott Walker, and Barack Obama. (Maybe having the quorum for a mic check would have cost too many tickets.) It was first received with a boo from someone on the opposite side of the theater, but that was quickly drowned out by a round of applause—something like what a singer might receive at curtain call for a decent performance in a supporting role. The protester was carried away by the NYPD.

Presumably this comes as part of Occupy Lincoln Center, which on December 1 held a protest attended by Philip Glass, Lou Reed, and Laurie Anderson. That night, the Met performed Glass’s opera about Gandhi, Satyagraha. One sign read, according to the LA Times, “Gandhi would be pepper sprayed.” Like the other Occupy actions under the umbrella of Occupy Museums, these protests oppose “cultural institutions that serve the nation’s wealthiest citizens at the expense of the vast majority.” (It doesn’t help that people aren’t being allowed to protest on Lincoln Center’s plaza—apparently, it’s Koch-Blocked. Or that Mayor Michael Bloomberg’s media is one of Lincoln Center’s chief funders.)

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Nothing, not even an ongoing war, could keep Sister Martha Ann Kirk from embarking on two separate research trips to Iraq in the summer of 2010 and again this past June.

An eye-opening set of experiences to say the least, Kirk—a professor of Religious Studies at the University of the Incarnate Word in San Antonio, Tex.—interviewed more than 140 people in Iraq, including women spanning three generations currently residing in one of the most war-trodden areas of the world. Her research partner, Sister Patricia Madigan, the Director of the Dominican Centre for Interfaith Ministry, Education and Research from Sydney, Australia accompanied her this year.

“Our culture has been saturated with violence, destruction, and negative images of Iraqis since about 1990,” said Kirk, when asked about her interest in the women of northern Iraq. Through her research, she hopes that we may all “recover our common humanity.”

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