On January 26, a group of activists with Organizing for Occupation (O4O), Housing is a Human Right and Occupy Wall Street interrupted another foreclosure action in Brooklyn with their singing. (Frida Berrigan reported on the first of these actions back in October.) As you can see from the above video, after selling only one house out of four, the auction was aborted and 39 people were arrested.

In an email interview with Karen Gargamelli, an attorney with Common Law who is involved with O4O, she explains why they have chosen this melodic tactic:

We sing because it is non-violent and because it is beautiful. We hope to confound the systems that evict New Yorkers (the courts) and the elected officials that refuse to regulate the big banks with loveliness.

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Egyptian protesters participating in a silent stand on June 6, 2011, at Kasr Al Nil bridge. By Zeinab Mohamed, via Flickr.

The starting point for a movement of mass action usually cannot be pinpointed to a single moment or person. This is true of the 2011 Arab Awakening, despite the temptation to credit Mohamed Bouazizi’s self-immolation in Tunisia or Wael Ghonim’s prowess on Facebook in Egypt; such struggles defy simplistic explanations of origin.

“I don’t want to take much credit; the revolution was leaderless,” Wael told 2.8 million listeners on BBC’s Radio 4 recently. Encircled in a tight studio in London’s Portman Place BBC headquarters, along with Paul Mason, economics editor for the BBC program Newsnight, newscaster Andrew Marr had convened the three of us to discuss the topic of “Revolution.” Egypt’s revolution, our conversation made clear, was far from spontaneous. For years, Egyptian activists were sharing knowledge, organizing and learning to think strategically.

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Volunteers for InterOccupy.org meet at the Occupied Office in New York City. Photo by the author.

As Occupy camps spread around Southern California in early October, a small group of occupiers located at City Hall in Los Angeles reflected on our experiences setting up a camp and our first assemblies. “It’d be awesome to see what they do in San Diego,” I remember saying, sitting in the comfort of Occupy LA’s People’s Library. “Do you think the cops will even let them put down tents?”

The librarian replied, “We should help them. We should be there so that their first GA isn’t as bad as ours was.” But, as we would soon learn, both the challenges and the potential of coordinating Occupy assemblies would be far greater than that.

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A checkpoint run by the Free Syrian Army (FSA) at Baba Amr, a poor district in the southwestern part of Homs. Photo from Der Spiegel.

Say the words, “Free Syrian Army” in nearly any gathering of Syrian expatriates lately, and their faces break into wide smiles of appreciation. Say the same words to people in Syria, and they say, “They will liberate us.” This sentiment is growing all over Syria, as the defected soldiers that make up the FSA wage battle against their pro-regime counterparts. But will such optimism last?

Nearly 11 months into the Syrian uprising, ordinary civilians, once certain of the effectiveness of civil resistance, are losing hope. They turn to the FSA for protection. The world has been in awe of the Syrian revolution and its peaceful activists (“How brave!” “Such tenacity!”), who vow to oust the Assad regime once and for all, and the peaceful protests continue daily. However, many of these demonstrations are protected from Assad’s army and snipers by the FSA, where and when possible. The presence of the FSA at protest sites has re-energized protesters, who are coming out in increasing numbers even as the regime escalates its violence against them.

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Last weekend, Pax Christi Metro NYC honored Father Daniel Berrigan, SJ as part of its Peacemaking Through the Arts Winter Benefit. Outside, the weather was icy, but, inside, friends gathered from as far away as Montreal, Canada, to celebrate Dan. I was invited to give a “testimonial” about a man I had known since birth. It was a tough assignment, but I thought I would share it with the Waging Nonviolence community. I did not really talk about all his many accomplishments; those are well documented in many places, including his autobiography, To Dwell in Peace. Here is what I said.

It is hard to sum up a life in a few sentences, especially when the man living that life so boldly and so fully is sitting in the front row and is smiling wryly and with tolerance. This assignment makes me think about retirement—it brings up a lot of iconic images, doesn’t it? You know; the gold watch for years of dedicated service, the gilded plaque etched with platitudes, the break room or Elk Lodge or church hall party. And then the life afterwards: golf, fishing, carnival cruises, and a fun and stimulating hobby like carving duck decoys or learning French.

Some people never retire. Dan Berrigan has never retired. And we are here to say thank you and thank God for that.

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The demand was resoundingly clear: “We want them back alive.”

During Argentina’s dirty war in the 1970s and 1980s, in which the military government assassinated thousands of citizens, a group of determined women who had lost their sons and daughters to this tsunami of political repression stood up. The Mothers of the Plaza de Mayo did what few others were willing to: publicly defy this state-sponsored reign of terror by breaking the silence and challenging the chilling paralysis that kept it stolidly in place. They did this by using the most powerful symbol at their disposal, their own vulnerable bodies, as they marched over and over again for years at great risk in front of the presidential palace with their implacable message: “You took them away alive—we want them returned alive.”

Governments quite easily take life. No government, however, has yet discovered how to return it.

The mothers named this state-sponsored killing “assassinations” and the killers “assassins.” The murders were politically motivated, carried out in secret, and covered up. In addition, they bore another important connotation of “assassination”: prominence. To their mothers, these women and men were as eminent and distinguished as any public figure—and only grew more so in death.

This immense violence is unspeakable. This is true not only because words fail to convey the horror of this particular case of terrorism, but also in the sense that theologian and activist James W. Douglass (drawing on the American monk Thomas Merton’s notion of The Unspeakable) means: “an evil whose depth and deceit seemed to go beyond the capacity of words to describe… a systemic evil that defies speech.”

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Minnesota winters can be brutally cold, full of ice and snow, and drearily bleak come this time of year. And while this year’s winter has been unexpectedly mild and inconsistent, with temperatures fluctuating from well-below freezing to the high 40s—likely due to the instability of climate change—we still look for ways to escape cabin fever. The Frozen River Film Festival (FRFF), on the banks of the Mississippi River in Winona, Minnesota, was just the break I needed. But it was also an inspiring weekend full of hopeful films, cinematic social critique, information tables, and workshops on the environment and activism.

The festival, which began in Winona in 2006, shows films from Mountainfilm—a film festival held in Telluride, Colorado in May that takes its films on tour throughout the rest of the year. Mountainfilm “is dedicated to educating and inspiring audiences about issues that matter, cultures worth exploring, environments worth preserving and conversations worth sustaining.” Likewise, the FRFF—whose films are a combination of the Mountainfilm Tour and locally or regionally-submitted films—has a similar mission:

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Image borrowed from Triple Canopy.

The enigmatic Internet-driven collective Anonymous, thank goodness, has an anthropologist in its midst. For a few years now, Gabriella Coleman has been arduously participant-observing in IRC chat rooms, watching Anonymous turn from a prankster moniker to a herd of vigilantes for global justice. In an extraordinary new essay at Triple Canopy, “Our Weirdness Is Free,” she summarizes what Anonymous is all about this way:

Beyond a foundational commitment to anonymity and the free flow of information, Anonymous has no consistent philosophy or political program. Though Anonymous has increasingly devoted its energies to (and become known for) digital dissent and direct action around various “ops,” it has no definite trajectory. Sometimes coy and playful, sometimes macabre and sinister, often all at once, Anonymous is still animated by a collective will toward mischief—toward “lulz,” a plural bastardization of the portmanteau LOL (laugh out loud). Lulz represent an ethos as much as an objective.

The more I learn about Anonymous, especially in light of the offline, on-the-ground praxis of the Occupy movement, the more I’ve been wondering whether we’re seeing a glimpse of the future for all of us.

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Several weeks ago, a 28-year-old Army vet, who had worked with drones during two tours in Iraq and is now a radical art student in New York, came up with a creative act of protest to raise awareness around the growing use of drones domestically by police forces across the country.

According to an article in last week’s New Yorker, over the course of several nights, the veteran (who remains anonymous) and a few friends posted eleven unusual street signs around New York City, which is apparently investigating using drones as a law enforcement tool.

Designed to look exactly like official street signs, the fake NYPD signs had several different messages: “ATTENTION: Drone Activity in Progress,” or “ATTENTION: Local Statutes Enforced by Drones,” or “ATTENTION: Authorized Drone Strike Zone, 8am-8pm, Including Sunday.”

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We’re thrilled to announce the launch of a project we’ve been proud to be involved in: Beautiful Trouble, the ultimate guide to justice-oriented troublemaking. It includes contributions by all three Waging Nonviolence editors.

In Beautiful Trouble, seasoned pranktivist Andrew Boyd assembles the accumulated wisdom of decades of creative protest in order to place it in the hands of the next generation of change-makers. Part manifesto and part reference guide, Beautiful Trouble is the anti-textbook—a dynamic, 21st century how-to that brings together ten grassroots groups and dozens of seasoned artists and activists from around the world. Among the groups included are Agit-Pop/The Other 98%, The Yes Men/Yes Labs, Code Pink, SmartMeme, The Ruckus Society, Beyond the Choir, The Center for Artistic Activism, Waging Nonviolence, Alliance of Community Trainers and Nonviolence International.

The book will be officially released on April 1 by OR Books, an innovative new print-on-demand publisher. But if you pre-order between now and February 15, you get a 20% discount.

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