Several weeks ago, a 28-year-old Army vet, who had worked with drones during two tours in Iraq and is now a radical art student in New York, came up with a creative act of protest to raise awareness around the growing use of drones domestically by police forces across the country.

According to an article in last week’s New Yorker, over the course of several nights, the veteran (who remains anonymous) and a few friends posted eleven unusual street signs around New York City, which is apparently investigating using drones as a law enforcement tool.

Designed to look exactly like official street signs, the fake NYPD signs had several different messages: “ATTENTION: Drone Activity in Progress,” or “ATTENTION: Local Statutes Enforced by Drones,” or “ATTENTION: Authorized Drone Strike Zone, 8am-8pm, Including Sunday.”

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We’re thrilled to announce the launch of a project we’ve been proud to be involved in: Beautiful Trouble, the ultimate guide to justice-oriented troublemaking. It includes contributions by all three Waging Nonviolence editors.

In Beautiful Trouble, seasoned pranktivist Andrew Boyd assembles the accumulated wisdom of decades of creative protest in order to place it in the hands of the next generation of change-makers. Part manifesto and part reference guide, Beautiful Trouble is the anti-textbook—a dynamic, 21st century how-to that brings together ten grassroots groups and dozens of seasoned artists and activists from around the world. Among the groups included are Agit-Pop/The Other 98%, The Yes Men/Yes Labs, Code Pink, SmartMeme, The Ruckus Society, Beyond the Choir, The Center for Artistic Activism, Waging Nonviolence, Alliance of Community Trainers and Nonviolence International.

The book will be officially released on April 1 by OR Books, an innovative new print-on-demand publisher. But if you pre-order between now and February 15, you get a 20% discount.

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Illustration by Piotr Lesniak, Illustrations Portfolio.

Václav Havel, who died on December 18, epitomized the power of the pen. A playwright and actor, he was born in Prague in 1936, two years before Nazi Germany militarily occupied Czechoslovakia. As I have written elsewhere, the Stalinist effort to destroy internal opposition to the Czechoslovak communist regime and its worsening economic policies led to hundreds of executions and tens of thousands of imprisonments. Millions were left suffering. Rigid communist economic views, bureaucratization of all dimensions of life, and recurring shortages meant that people could survive under communist rule only through venality and by shortcutting regulations. Those who went along with the habitual corruption—including the great proportion of managers and professionals—found themselves subjected to blackmail and entrapped by lies.

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As chants of “Al-shaab urid iskat al-nizam” (“the people want to bring down the regime”) rise, so, too, does the hailstorm of bullets. As people come out into the streets to express themselves, so, too, do the tanks. Syria’s revolution is entering its ninth month, the Assad regime uses familiar tactics in its attempt to crush dissent. There is nothing creative about deploying tanks and snipers to villages. There is nothing creative about using rape as a tool of war, especially against an unarmed population. In contrast, however, the Free Syria movement has responded to these assaults with amazing creativity. Syrians continue to take to the streets in peaceful protest against the Assad regime—every day, in nearly every city, in nearly every village.

Being creative takes work. Nonviolent creativity, especially when faced with live ammunition, takes steely willpower and a fierce commitment. Syrians have demonstrated both as they slowly but surely rid themselves of a regime that thinks nothing of using rape as a tool of repression, dismemberment as a message, or kidnapping as a reminder. That the protests have remained largely peaceful is awe-inspiring; that Syrians are so creative under these circumstances is astonishing.

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On Saturday night at the Metropolitan Opera in New York, just before the third act of Faust began, a man began yelling from the audience, “Occupy Wall Street! Occupy Wall Street!” It had neither the rhythm of a chant nor the participatory quality of the usual “mic check” that has been used to disrupt so much lately, interrupting public figures including Michele Bachmann, Scott Walker, and Barack Obama. (Maybe having the quorum for a mic check would have cost too many tickets.) It was first received with a boo from someone on the opposite side of the theater, but that was quickly drowned out by a round of applause—something like what a singer might receive at curtain call for a decent performance in a supporting role. The protester was carried away by the NYPD.

Presumably this comes as part of Occupy Lincoln Center, which on December 1 held a protest attended by Philip Glass, Lou Reed, and Laurie Anderson. That night, the Met performed Glass’s opera about Gandhi, Satyagraha. One sign read, according to the LA Times, “Gandhi would be pepper sprayed.” Like the other Occupy actions under the umbrella of Occupy Museums, these protests oppose “cultural institutions that serve the nation’s wealthiest citizens at the expense of the vast majority.” (It doesn’t help that people aren’t being allowed to protest on Lincoln Center’s plaza—apparently, it’s Koch-Blocked. Or that Mayor Michael Bloomberg’s media is one of Lincoln Center’s chief funders.)

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Nothing, not even an ongoing war, could keep Sister Martha Ann Kirk from embarking on two separate research trips to Iraq in the summer of 2010 and again this past June.

An eye-opening set of experiences to say the least, Kirk—a professor of Religious Studies at the University of the Incarnate Word in San Antonio, Tex.—interviewed more than 140 people in Iraq, including women spanning three generations currently residing in one of the most war-trodden areas of the world. Her research partner, Sister Patricia Madigan, the Director of the Dominican Centre for Interfaith Ministry, Education and Research from Sydney, Australia accompanied her this year.

“Our culture has been saturated with violence, destruction, and negative images of Iraqis since about 1990,” said Kirk, when asked about her interest in the women of northern Iraq. Through her research, she hopes that we may all “recover our common humanity.”

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The annual United Nations International Day of Peace and Ceasefire will be marked today with thousands of events around the world. From a moment of silence at noon in every time zone, to “Stand-Up for Peace” comedy events at 55 different venues, to decorative “Pinwheels for Peace” created and displayed by millions of young people around the globe, the day offers an opportunity for peacebuilders to engage and educate others on the various meanings of, and paths to, a more just and peaceful world.

As Valerie Elverton Dixon notes in a post on God’s Politics:

In both the Hebrew and the Greek concepts of peace, the idea goes far beyond the absence of war or violent conflict. Shalom includes the ideas of health, friendship, safety, prosperity and rest. The holiness of Shalom is wholeness. Similarly, the Greek word eirene includes the ideas of quietness, rest, prosperity, happiness, harmony, and to set at one again. Eirene is also the Greek goddess of peace whose sisters are Eunomia (order) and Dikē (justice.)

As the Trappist monk Thomas Merton wrote in “Peace in the Post-Christian Era,” his 1962 book about nuclear weapons, which was published widely for the first time in 2004:

The whole world faces a momentous choice. Either our frenzy of desperation will lead to destruction, or our loyalty to truth, to God and to our fellow man will enable us to perform the patient, heroic task of building a world that will eventually thrive in unity, order and peace.

Forty-nine years later, we still face that choice. The International Day of Peace is a useful and increasingly popular opportunity for the general public to reflect, individually and collectively, on how to make sure we choose wisely.

I’ve always liked the War Resisters League’s broken rifle logo.  But it raises a question: What do you do with all that metal after the gun is snapped in half?

While the Bible talks about beating swords into plowshares, over at God’s Politics, Sojourners web editor Cathleen Falsani writes of another, more artistic possibility. Some of the more the 2,700 guns that were traded for grocery gift certificates at a gun buy-back event run by the Violence Prevention Coalition of Greater Los Angeles (VPC) earlier this year are now:

being “up-cycled” — melted down and re-purposed — as works of art.

One such guns-to-art creation is the “Angel of Peace” sculpture by artist Lin Evola, founder of the Peace Angels Project in California. Founded by Evola in 1992, Peace Angels “uses art as a tool for peace, working with schools and organizations at both a local and global level.”

Evola has created peace angels for Los Angeles, Jerusalem, and Johannesburg, South Africa.

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Bonnie Urfer exudes calm and strength. Her eyes twinkle and her voice stretches o’s like a Wisconsinite. On Wednesday, Judge Bruce Guyton called her a “prolific criminal.”

Prolific? Sure. Bonnie has been an activist since the 1980s. Working with a group called Nukewatch out in the forests of Wisconsin, Bonnie has tracked nuclear waste and materials shipments, cut down the Extremely Low Frequency poles that studded her sylvan landscape to communicate the first strike orders to nuclear submarines, and been arrested dozens of times. Criminal? Not when nuclear weapons are illegal (at least according to international law—which by treaty is our law too), immoral and just plain useless.

But Bonnie is prolific in her artistic gifts as well as in her resistance.

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The signature tactic of this revolutionary year, it would seem, is a mass protest in a large, symbolic public space. We saw it in Cairo’s Tahrir Square, Bahrain’s Pearl Roundabout, and then in Madrid’s Puerta del Sol and Syntagma Square in Athens. Now, in the U.S., the October 6 movement is planning to take over Washington’s Freedom Plaza, while another coalition has been planning to do the same on Wall Street on September 17—tomorrow. (For a basic account of what’s going on with the latter, see my report from earlier this week.) If you want to get something done, apparently, the way to do it is to take the square. And this is exactly what the people at Adbusters had in mind when they made their initial call to occupy Wall Street, observing that “a worldwide shift in revolutionary tactics is underway right now that bodes well for the future”; they continued, “We want to see 20,000 people flood into lower Manhattan, set up tents, kitchens, peaceful barricades and occupy Wall Street for a few months.”

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